Maidhc Ó Cathail
October 25, 2014
“The irony is that the Nazi holocaust has now become the main ideological weapon for launching wars of aggression,” Norman Finkelstein tells Yoav Shamir in “Defamation,” the Israeli filmmaker’s award-winning 2009 documentary on how perceptions of anti-Semitism affect Israeli and U.S. politics. “Every time you want to launch a war of aggression, drag in the Nazi holocaust.”
If you’re looking for evidence in support of Finkelstein’s thesis today, you need look no further than the U.S. Holocaust Memorial Museum’s exhibit of images of emaciated and mutilated bodies from contemporary Syria.
The small exhibit, entitled “Genocide: The Threat Continues,” features a dozen images said to be from an archive of 55,000 pictures allegedly smuggled out of the country by “Caesar,” a mysterious source who claims to have defected from his job as a Syrian military photographer after having been ordered to take photos of more than 10,000 corpses.
Emphasizing the threat of an impending genocide, the reportedly conscience-stricken defector warns that a similar fate awaits the 150,000 people he says remain incarcerated by President Bashar Assad’s government.
“They’re powerful images, and viewers are immediately reminded of the Holocaust,” Cameron Hudson, the director of the museum’s Center for the Prevention of Genocide, was cited as saying in an Oct. 15 Associated Press report. Hudson, whose intriguing career in genocide prevention includes a stint as intelligence analyst in the CIA’s Africa Directorate, added, “They show a side of the Syrian regime that hasn’t really been really seen. You might have heard about it, read about it, but when you’re confronted with these images, they’re impossible to ignore.”
The museum’s promotion of these impossible-to-ignore, Holocaust-recalling images dates from a few months earlier, however. In his July visit to Washington that included a series of meetings with U.S. government and congressional officials, Caesar’s first stop was at the Holocaust Museum.
On July 28, Michael Chertoff, a member of the museum’s governing board of trustees, presented the purported defector to a small group of reporters and researchers. According to the Washington Post’s Greg Miller, this event was the first time that Caesar had appeared publicly to answer questions about the photos deemed by some human rights organizations as evidence of war crimes committed by Assad.
Chertoff, a co-author of the USA PATRIOT Act, hasn’t hesitated to invoke the Nazis either in support of the neoconservative-conceived “global war on terror.” In an April 22, 2007 Washington Post op-ed entitled “Make No Mistake: This Is War,” the then secretary of the Department of Homeland Security wrote, “Al-Qaeda and its ilk have a world vision that is comparable to that of historical totalitarian ideologues but adapted to the 21st-century global network.”
Commenting on the former DHS secretary’s close ties to Israel, Jonathan Cook notes in his book “Israel and the Clash of Civilizations” that Chertoff’s mother was an air hostess for El Al in the 1950s. “There are reports that she was involved in Operation Magic Carpet, which brought Jews to Israel from Yemen,” writes the Nazareth-based British journalist. “It therefore seems possible that Livia Eisen was an Israeli national, and one with possible links to the Mossad.”
Among the other members of the Holocaust Memorial Council noted for their staunch support of Israel and American interventionism are the pardoned Iran-Contra neocon intriguer Elliott Abrams and Nobel Peace Prize laureate and Holocaust survivor Elie Wiesel.
Writing in Foreign Policy’s The Cable on April 23, 2012, Josh Rogin drew attention to Wiesel’s pointed introduction of President Barack Obama at a ceremony in the Holocaust Museum. Comparing the Syrian president and then Iranian President Mahmoud Ahmadinejad to the perpetrators of the Nazi holocaust, Wiesel implicitly criticized Obama’s supposedly obtuse inaction, “So in this place we may ask: Have we learned anything from it? If so, how is it that Assad is still in power?”
As Rogin, a reliable media conduit for anti-Assad interventionism, pointedly observed, the speech was reminiscent of another one Wiesel gave at the opening of the museum in 1993, when he urged then President Bill Clinton to take military action in Bosnia: “Similarly, that speech came at a time when the Clinton administration was resisting getting entangled in a foreign civil war but was under growing pressure to intervene.”